Art Processes at Natural Curiosities

Working with Specimens

We employ several specific practices for working with specimens. From entomological and botanical to oceanic and geological, we collect the most beautiful and inspiring specimens we can find, prepare them with natural treatments for longevity, and curate into display frames.

Visit our Specimen Sea gallery for framed pieces, and our Objet d'art for free-standing specimens.

Gilding (Gold & Silver Leaf)

Traditional hand applied gilding. Before the leaves are overlaid we use a hand-painting technique for applying the adhesive. We then burnish into the artwork to create a smooth and lustrous finish.

Visit our Gold & Silver Leaf gallery.

Silkscreen

Traditional hand applied silkscreen. All processes are done in studio from screen burning to small batch prints using water based inks.

Some examples of our Silkscreen work include:

Hand Watercolor

On selected prints, we overlay custom hand-painted elements to give each piece it's own unique embellishment. This technique is currently used with Noah's Ark, hand watercolor.

Paper Treatments

We prepare our archival paper in three distinct ways:

  • Straight cut (no treatment)
  • Smooth deckle-edge, lightly aged
  • Full deckle-edge, aged

To age (or tint) the paper, we apply natural pigments by hand.
Every piece is treated with love.

Framing Treatments
  • Unframed
    Prints arrive to you untreated or with a deckle-edge, rolled safely in a tube.
  • Straight Framed
    The frame and untreated image meet and form a seamless edge.
  • Floated
    The deckle-edged paper hovers above a linen substrate. Both image and substrate kiss the glass.
  • Floated Space Shadowbox
    The deckle-edged paper hovers above a linen substrate. There is a linen-lined recess, of varying depths based upon the depth of the moulding, between image and glass.